Recreating the Country blog |
Guest blogger for July is Gib Wettenhall. Gib Wettenhall has for 25 years written, edited and published books and articles, which acknowledge that the 65,000 year-old Indigenous heritage we have inherited makes Australian landscapes as much cultural as natural. He is the author of The People of Budj Bim, written in collaboration with the Gunditjmara people of south-west Victoria, which in 2011 was Overall Winner of the Victorian Community History Awards. Also, author of The People of Gariwerd, the Grampians’ Aboriginal history, recently reprinted a 3rd time in association with Brambuk. He is currently writing and producing the 3rd in a series of booklets with the Yirralka Rangers, titled Keeping Country, on the bi-cultural approach adopted by this Indigenous land management group in north-east Arnhem Land. As the principal of em PRESS Publishing, his books include Stephen Murphy’s Recreating the Country and Tanya Loo’s nature journal set in the Wombat Forest, Daylesford Nature Diary, which reintroduces a six season Indigenous calendar for the foothill forests. In 2006, he wove the Indigenous heritage of the Gariwerd/Grampians ranges into a series of essays published in a high quality landscape format book with photographs by Alison Pouliot, Gariwerd: Reflecting on the Grampians. He researched and wrote the interpretive signage for the Brambuk National Park and Cultural Centre and is writing the content for interpretive signage for the Budj Bim landscape, expected to gain World Heritage listing in 2019. As publications manager of the Great Dividing Trail Association (GDTA), he produced their four map brochures and interpretive signage, which won a tourism award in 2003. In 2012, he wrote and produced an award winning guidebook, the Goldfields Track Walk or Ride Guide, about the 210km long Goldfields Track between Mt Buninyong and Bendigo. It was cited as “a model for future guides” and includes an essay on the Aboriginal cultural heritage of the goldfields region. A 2nd edition was published in 2017. As an editor, he writes and manages content for several websites. Between 2000 and 2014, he acted as the editor for the national quarterly magazine Australian Forest Grower. As a journalist, Gib was news editor of The Melbourne Times, environment writer for both Australian Society and 21C magazines, and has written articles for Parks Discovery magazine. Gib can be contacted on [email protected] Indigenous standing stones ...taken over by a bunch of Celts What do non-Indigenous Australians know about the mythological power of Aboriginal standing stone arrangements? Not much it would seem. So little that a group of Celts in NSW could in the late-1990s brazenly lay claim to, and be granted by the National Trust, Australian standing stone heritage status for their faux copy of recently erected Stonehenge-style ‘menhirs.’ No reference was made to their Indigenous antecedents. Yet artificially-wedged vertical shards of rock were once placed everywhere by the First Australians. They formed circles for ceremony, acted as signifiers for sacred places, stood attention in sculptural lines forming the shape of an ancestral being created in the Dreaming. Many were obliterated by settlement and the most powerful remaining are hidden or inaccessible. Last dry season, I was bushwalking with a group in remote gorge country on the Kimberley coast when we came across four sets of thin, sharp-edged standing stone shards, clearly artificially-placed. We had walked in the Kimberley before, as well as the Arnhem Land plateau, and none of us, including our experienced guide, had ever seen these wedged, vertical sandstone slabs, so startlingly at-odds with their surrounds. We had encountered rock art aplenty, but knew nothing about this class of Indigenous artefacts. Particularly impressive were two large enigmatic Aboriginal standing stone circles hidden back from the gorge edge on either side of a towering waterfall with commanding views. Two upright shards guarded the first large circle of stones, some 100 metres distant inland. On a high flat plateau, the standing stones ringed a stony knoll, perfect for viewing whatever ceremonies or dances were performed around its perimeter. It was clear to even the most hardened sceptic among us that the ring of jagged shards once held power and authority. We remembered that an Aboriginal-grafted ring tree had marked the entry to the deep, narrow gorge climaxed by the spectacular waterfall and its dark green pool. Did the standing stone circles have a totemic or ceremonial purpose? We could only speculate. Indigenous standing stone history is sadly overlooked. On returning to Melbourne, I went to the State Library and spied in the catalogue a book titled The History of Australian Standing Stones. Aha, I thought… but was soon disappointed on opening its pages. Ironically, The History of Australian Standing Stones focuses solely on a newly-minted Celtic stone circle of 38, five metre high menhirs established at Glenn Innes in New England in 1991. Incredibly, a mere seven years later, the NSW National Trust declared this faux imported Celtic copy as a National Monument, citing it as a significant place of Australian heritage. All that The History of Australian Standing Stones has to say about Glen Innes’ Indigenous Ngoorabul heritage is contained in one cursory sentence claiming that they were migratory, only visiting seasonally. It is as though they left no mark. As a final unintended insult, the Glenn Innes Celts asked the local Aboriginal land council if they could appropriate a bunyip as the mascot for their stone circle. The land council said no, so the Celts settled on the idea of a dinosaur as their mascot. What a joke, if it wasn’t so sad. An online search of archaeological field surveys in the Glen Innes region of New England did actually manage to turn up some Aboriginal standing stone arrangements found in the region in the 1970s. But there was no attempt at contextual analysis; they are simply listed without comment. The State Library also held one 2012 journal article from Australian Archaeology Vol. 75 on a survey of 32 standing stone sites in Jawoyn country, north-east of Katherine in the NT. This, however, could cast little light on their purpose other than they were “signifiers,” possibly of major rock art sites. Jawoyn elders were reported as commenting that they once had a “ceremonial purpose.” Standing stones were found throughout Australia In a recent Australian Archaeology 2018 journal article on standing stones in Far North Queensland, archaeologist Ian McNiven and other authors conclude: “Despite their ubiquity, stone arrangements are an understudied site type with their distribution and morphological variability remaining poorly documented and their functional variability poorly understood.” After I enquired, Professor McNiven sent me a few academic articles on standing stones. As you’d expect, they were reported as once being found throughout Australia either forming sacred sites representing creation stories from the Dreaming or as markers for sacred places. Little was known about their specific purpose, other than they “have high significance values to Indigenous Australians and are usually associated with… socio-religious beliefs and ceremonial/ritual activities.” (Australian Archaeology 2018 Vol. 84, No.2) Indigenous owners hold the key to the meaning of the standing stones In 2017, cultural anthropologist, Jim Birckhead, undertook desktop research for mining companies with archaeologist, Phil Czerwinski, on past studies into the significance and meaning of Indigenous standing stone arrangements in the Pilbara and the Kimberley. Upright standing stones are associated, in particular, with initiation sites, Dr Birckhead observed. Individual slabs sometimes represent creator beings from the Dreaming who have metamorphosed into stone. Sometimes they were “venerated by men who regard the rocks as patrilineal ancestors.” First-hand involvement with Indigenous elders is vital, says Dr Birckhead, as the stones “defy interpretation by inspection.” While the elders may be circumspect about sites of mythological significance, and sometimes have no knowledge of stone arrangements often millenia old, interpretation without their involvement becomes an exercise in guesswork, as well as appropriation. Consequently, Birckhead’s and Czerwinski’s report recommended undertaking field surveys with Traditional Owners in the Pilbara to cast light on the mythological stories related to each specific standing stone arrangement. The mining companies, unfortunately, did not proceed to fund beyond the desktop research stage. How can Australians appreciate the richness of Indigenous culture if we ignore its existence. This paucity of recognition of a significant aspect of Indigenous culture is indeed unfortunate. Without Indigenous interpretation, each site’s totemic affiliations and creation stories will remain opaque and enigmatic. Silence about the rich mythology and power that these sites of a 65,000 year old culture hold is another in the long list where we have averted our gaze from the rich and deep cultural heritage of our own continent in favour of the ‘homeland’ our European ancestors left behind. It is just one among many silences that allow the ongoing misappropriations and misunderstandings to continue. For many, the apparent absence of evidence signifies that the Aboriginal people were at contact nothing more than ‘savages’, as compared to the supposedly sophisticated civilising settlers – such as the proud Celts of Glenn Innes with their ‘unique’ standing stone heritage Trees and human health - how a walk in the woods makes us mentally and physically healthier. to be posted in August
6 Comments
Hi. Loved your standing stone article. I just released a video on some standing stones that used to be in northern nsw. Here is the link.
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Di shelley
22/11/2021 12:08:06 am
My husband and I were driving through a place in the Illawarra when I felt it was significant. (My heritage is gundutjmara, Djargurd Wurrung and gulidjan, but my family has lost connection to culture) This has happened before and on that occasion soon after we came upon scar trees. This day we drive last a section of farm partially fenced on a creek bordering two properties. There was remnants if a standing stone circle. Quite large and unless done by farmers a long time ago m it made us stop the car and spend quite some time photographing abc in wonder. A small kind of temple like structure of a few standing stones with a kind if lid was part of this. Sadly my camera with all photos and my notes is gone. But I would dearly love to know of any information regarding this area if you have any. Thanks so much
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Fred Bear
12/2/2022 03:07:38 pm
Is it just me , or have others noticed that certain anomalies are now being attributed to indigenous Australians??where for 200 years prior no such knowledge was known, no such stories were told, and yet in this age of information, its only now in the past few years that such ideas are being expressed, its baffling to say the least, now writers such as Rex Gilroy' s explanations are far more plausible than the Aboriginal origins stories, and he has the evidence to back up his theories, is it easier to lay claim to the creation by aboriginals than having to rewrite history?? Of course, and what many of us in the amateur archaeology field see, is a blatant whitewash of evidence and truth, so as to put an end to the real alternative history that is evident, now, labelling the Gympie Pyramid an aboriginal sacred site, does not make it so, unless you can show me other such structures made of granite constructed by aboriginals, ok it is difficult to picture it as a Pyramid, after much of it was reclaimed to build certain structures in Gympie, and it was destroyed with earth moving machinery at some point in the 1970s, but with stone idols, alters and tablets found in the vicinity, of Phoenician and or Egyptian origin, labelling it a sacred site borders on the absurd, but then, it does keep the inquisitive away perhaps, and protects it somewhat for now, ah yes but its a hoax right? That is what they'd have you believe...the Gosford Glyphs? Oh yes another hoax, what's the official line? Students from ANU did them, or I like this one, returned serviceman carved them from memory, yet they have been authenticated by the Kemit School in Egypt, nice try, Chariot axle washes up on the beach, at Sarina Qld, can't attribute that to Aboriginals, but the remnants of the Phoenician harbour can be claimed are ancient aboriginal fish traps,, ok...I didn't know aboriginals mined , or had knowledge of smeltering, or the production of concrete, maybe its an English thing, not wanting to admit others were here before, Phoenicians,Egyptians,Spanish,Portuguese,Celts etc and so on, and over the years irrefutable evidence has been gleaned from all over this Country, glyphs , alignments, tablets, stone tools, idols, Pyramids, harbours settlements, that are not aboriginal ,, we see it all over the world, suppression of truth, suppression of true history, maybe its to protect against ownership claims, destruction of evidence doesn't make the truth dissapear, those of us in the field , amateurs, archaeologists, historians , whatever, see beyond the absurd, someday the truth shall be self evident, until then we'll just classify these sites as being of Aboriginal origin..Face Palm SMFH!!!!!
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Mick
5/9/2022 05:32:42 pm
It's just you Fred, ya old plodder. Get off ya high horse and appreciate everything the aboriginal people achieved before your kind came along and tried to destroy it all!
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Brett osullivan
5/9/2023 10:29:49 am
Just like fish traps standing stones deliberately destroyed or removed. Look at castlemaine district. Processional line of seven stones discovered in 1967. No survey (why not??) Bastard farmer sold land at base of lalgambook mountain to his son. Stones mysteriously disappeared. Part of a long line if lies and deception
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Bruce
8/6/2024 09:46:44 am
65,000 years and a few standing stones.
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'RECREATING the COUNTRY'
Ten key principles for designing sustainable landscapes Second edition Updated & expanded Click on the image below to read more Stephen Murphy is an author, an ecologist and a nurseryman. He has been a designer of natural landscapes for over 30 years. He loves the bush, supports Landcare and is a volunteer helping to conserve local reserves.
He continues to write about ecology, natural history and sustainable biorich landscape design. |